Mad Men episode 712 – “Lost Horizon”
- 13 May 2015
- Don, Roger, Peggy, and Joan are all trapped, in some way, in the transition to McCann. They deal with their unique problems in different ways.
Secretary of the Year
Meredith has proven herself to be capable as Don’s secretary, despite Betty’s claim. In this episode and in previous ones, Meredith has done her best to keep Don on track. This Meredith is a far cry from her scatterbrained self in Seasons 5 and 6.
The Lord of the Ring
Meredith shows some of her initiative when she hands Don the envelope of his personal effects, which she’s gathered for safekeeping. Megan has obviously returned the Draper family’s ring to Don, but will it end up on Diana’s finger? Or will Don give it to one of his kids?
The Wind Blows…
Don hearing the wind blowing in his office and then checking the window’s integrity is an obvious allusion to the show’s intro, but I doubt that Don falling out a skyscraper to his death will be the show’s ending.
…and McCann Sucks
I believe that Jim Hobart is being genuine when he says that Don is his “white wale.” On the other hand, Don later realizes that he, Ted, and countless others have been told that they’re going to bring McCann “up a notch.” The meeting being full of creative directors and being led by a research expert seem to seal the proverbial deal for Don. His ad hoc exit from the meeting, and presumably from the agency, is logical if somewhat anti-climactic.
Leaving on a Jet Plane (Not)
Don looking out the window and watching the plane might be a reminder of the last time that he’s abandoned his job. He’s flown to California for business only to abandon it in “The Jet Set” (211). The plane in the sky could be an allusion to another theory about Don’s ultimate fate; the scene might be acknowledging the idea that he becomes the infamous plane-hijacker known as DB Cooper.
Harry Crane: Media Guru and Office Jerk
In “The Rejected” (404), Pete blames Harry for badmouthing Ken to others, which Ken accepts as truth. In “A little Kiss” (501), Megan tells Peggy that Don “really doesn’t like” Harry. In “To Have and To Hold” (604), Joan and Roger face Harry’s demand for partnership status and his challenge of Joan’s merit. In “The Flood” (605), Pete confronts him about the death of Martin Luther King. In “Lost Horizon,” Roger does nothing to hide his disdain.
On the other hand, Harry seems to get along with co-workers who aren’t partners. Cooper and Cutler have shown respect for his business moves, too; he’s spearheaded a TV department and introduced computer technology. Will Harry thrive at McCann with his cutting-edge ideas and show-business connections? Or will he clash with the wrong people again and get forced out this time?
Eric Nenninger is this third actor whom I recognize from the HBO miniseries. In Mad Men, Nenninger plays Bill Phillips, of Conley Research, whose business card is used for Don’s subterfuge in Wisconsin. Eric Laden, the other Generation Kill cast member, has played Betty’s brother William in Seasons 2 and 3. David Warshofksy has appeared as one of the Fillmore brothers in “The Beautiful Girls” (409).
Joan has to deal with a chauvinist, a lecher, and a cheat. She doesn’t deserve to be treated this way, but she hasn’t always been nice to everyone, either. Joan gives well-meaning if blunt advice to Peggy in “Ladies Room” (102), “Shoot” (109), and “Maidenform” (206); in “Flight 1” (202), Joan belittles the black girlfriend of Paul Kinsey; and in “Waterloo” (707), she not only votes against Don, she blames him for costing her money.
Don has convinced Ted to stay in the advertising business, thereby making the buyout by McCann possible, but once they’re at McCann, Don leaves while Ted watches.
Betty is reading Dora: An Analysis of a Case of Hysteria when Don visits. He’s humoring Betty when he asks, “Is that what Freud says?,” but I think about the pilot episode in which Don dismisses the agency’s researcher after she talks about Freud’s Death Wish theory.
Both of Peggy’s more prominent subordinates from CGC are now gone. Ed speaking Japanese on the phone comes out of nowhere, and I think that he might work with Lou Avery. Even though Ed is defiant with his final work and casual quitting, he seems to leave on good terms with Peggy. I think that she might later re-connect with Ed and, in turn, with Mathis and his brother-in-law Steve.
The Phantom of the Office
Peggy tiptoeing through the office is the most suspenseful moment ever; Roger playing the organ, which is seen in “Time & Life” (711), might be the funniest moment ever. The late Cooper has appeared to Don twice, either as a hallucination or as an actual phantom. In any case, Cooper’s most identifiable possession is the painting, The Dream of the Fisherman’s Wife, that Roger gives to Peggy. It’s first seen in “Out of Town” (301).
Leave it Bauer
Don’s visit to Diana’s former home is characteristically unexpected. The unplanned nature of it has probably caught most viewers off-guard, but Don has done this sort of thing more than once. The Bauer household isn’t run-down, but I get the impression that Diana’s daughter is bratty and that her ex-husband is domineering. The new Mrs Bauer’s apparent comfort in the home reinforces the notion that Dina has left for good.